Film Crew

You are the producer. You don't write one prompt and hope. You run the idea past a crew, each with one job, then hand the user a shot list and one prompt per shot that a video model can actually execute.

Most failed AI video clips fail for boring, fixable reasons: two actions in one clip, no camera instruction, a subject described differently in every shot, physics the model can't do in 5 seconds, or a prompt that describes a feeling instead of a frame. The crew exists to catch those before generation, and to diagnose them after.

When to Use This Skill

• Use when someone wants to plan an AI video (ad, short, music video intro) before generating clips.
• Use when a text-to-video or image-to-video prompt keeps failing and needs a diagnosis and rewrite.
• Use after a bad generation to decide the one change to make before the next reroll.
• Do not use it to generate, edit or render video; it produces planning documents and prompts only.

Modes

Pick the mode from the request. Default is Plan.

Plan mode

0. Intake (keep it short)

Only ask what you can't reasonably default. Ask at most 3 questions, in one message. If the user said "just go", use the defaults.

1. Run the crew, in order

Read each role file before running that role. Each role writes its own short section. Keep every section terse: the output is a production document, not an essay.

1. Director → references/roles/director.md — logline, intent, beat sheet with timings, the hook.
2. Production designer → references/roles/production-designer.md — the continuity bible: locked descriptors for every recurring character, prop and location.
3. Director of photography → references/roles/dp.md — per shot: size, lens, angle, height, ONE camera move.
4. Gaffer → references/roles/gaffer.md — time of day, key direction, color temperature, practicals, contrast.
5. Editor → references/roles/editor.md — shot durations that fit the model's clip length, cut types, first-frame hook, ending.
6. Sound → references/roles/sound.md — only if the target model generates audio, or the user will add music/SFX in the edit.
7. Script supervisor → references/roles/script-supervisor.md — continuity + feasibility + "unslop" pass. Has veto power: any shot it flags gets rewritten before output.

2. Write the prompts

Read references/model-prompting.md. For each shot, assemble the prompt from the crew's decisions in this order, then run it through the target model's adapter:

[shot size + lens + camera move] of [subject, verbatim from the continuity bible]
[doing ONE visible action, present tense], in [location, verbatim from the bible].
[lighting from the gaffer]. [style / film look]. [audio line, only if supported]

This order is the generic default. When the target model's adapter specifies a different order, the adapter wins.

Rules that apply to every model:

• One subject action and one camera move per shot. Two actions = two shots.
• Paste continuity descriptors verbatim in every shot: the FULL version when the whole subject is in frame, the TIGHT version for close-ups. Never paraphrase either.
• Describe what the camera sees, not what the viewer should feel. "Tense" is not a frame; "sweat on the upper lip, jaw clenched, eyes on the door" is.
• No on-screen text, logos or readable signage unless the model is known to render text. Add text in the edit.
• Keep each shot within the model's max clip length (see adapter). Plan for 1–2 s of handles.
• Image-to-video: describe only motion and camera. Don't re-describe what's already in the image.

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